Deadpool & Wolverine Writer Warns “It’s Likely Over for Us” as AI Video of Cruise and Pitt Goes Viral

Hollywood is facing a new wave of anxiety after Irish filmmaker Ruairi Robinson posted a hyper-realistic AI-generated video featuring Tom Cruise and Brad Pitt. The short clip, created with ByteDance’s Seedance 2.0 tool, showed the actors locked in a rooftop fight above a devastated city skyline. None of it was real — but it looked convincingly cinematic.

Viral AI Clips

Robinson’s initial 14-second video quickly went viral, amassing over 1.3 million views. He followed up with variations: Brad Pitt battling a zombie ninja, Cruise and Pitt fighting robots, and even surreal scenarios like “Jeffrey Epstein knew too much,” which drew millions more views. Each clip was generated from simple text prompts, raising alarm about how easily AI can mimic professional filmmaking.

Rhett Reese Sounds Alarm

The viral moment escalated when Rhett Reese, co-writer of Deadpool & Wolverine and Zombieland, responded with a stark warning.

“I hate to say it. It’s likely over for us,” Reese wrote on X.

He later elaborated that soon “one person is going to be able to sit at a computer and create a movie” indistinguishable from a studio production. Coming from one of Hollywood’s most commercially successful screenwriters, the statement sent shockwaves through industry circles.

Celebrity Rights Concerns

Neither Cruise nor Pitt gave permission for their likenesses to be used. The AI tool replicated their faces, voices, and movements without consent or compensation. This raised urgent questions about intellectual property, performer rights, and the future of celebrity protection in the age of generative AI. ByteDance quickly restricted Seedance 2.0, blocking users from uploading real human faces as source material. But the viral Cruise-Pitt video had already spread widely, sparking debate about whether such restrictions can truly contain the technology.

Industry Divided

Online reactions revealed two camps. Some celebrated the democratization of filmmaking, arguing that anyone with a story could now create Hollywood-level visuals without studios or budgets. Others saw it as a threat, warning that actors, writers, and VFX artists could be replaced by machines. What makes this moment different is who raised the alarm. The “Hollywood is cooked” refrain has circulated for years, but Reese’s blunt assessment — from a writer whose last film grossed $1.3 billion worldwide — has intensified the conversation.

What’s Next

Seedance 2.0 remains in beta, accessible through ByteDance’s platforms in China, with a global rollout expected later this month. As Hollywood grapples with the implications, the debate over AI’s role in filmmaking is no longer theoretical — it’s here, and it’s already reshaping the industry.