Devashish Makhija is at the center of a major development at the International Film Festival of India’s industry market. His backed crime drama “What Remains Unsaid” made its official debut at the WAVES Film Bazaar, marking one of the most anticipated project announcements of the year. The psychological crime drama is set in rural Haryana and follows a celebrated journalist unraveling a complex case. The project arrives with a strong team, early financing, and a clear production timeline. Its debut signals growing regional and global investment in South Asian storytelling.
The Devashish Makhija-supported film is written and directed by Kallol Mukherjee, who draws from personal experiences in journalism. The story follows Vidya, an acclaimed journalist returning to her ancestral village to investigate an alleged honor killing. As the case deepens, the narrative blurs the divide between victims and perpetrators.
Producers Harsh Agarwal and Aditya Grover (Uncombed Buddha Films) have joined forces with Makhija to bring the title to life. The project has already secured 25% of its financing, and the team is actively seeking co-production and equity partnerships in both India and Europe. The script is in advanced development, with filming targeted for March 2026 in Haryana’s fog-covered winter landscapes.
Mukherjee explained the film’s thematic lens at the Film Bazaar showcase:
“The film interrogates what it means to seek truth in a post-truth world. When the media becomes judge, jury and executioner, the question becomes—who owns the truth?”
He also referenced personal experiences that shaped the narrative:
“A journalist I knew was violently attacked while exposing corruption. That moment has stayed with me. This film is born from the emotional residue of questioning one’s own profession.”
Producers praised the partnership, noting that the project blends psychological realism, magic realism, and years of documentary observation.
The presence of Devashish Makhija boosts the film’s visibility among global buyers. His past works such as “Joram” and “Bhonsle” have earned festival acclaim, making this project an attractive investment for international markets.
The film’s themes—misinformation, systemic trauma, and media ethics—position it as a timely contribution to India’s independent cinema landscape. Its debut at WAVES Film Bazaar strengthens India’s co-production pipeline and showcases the marketplace’s commitment to nurturing emerging South Asian voices.
The team will finalize additional financing rounds through early 2026. Casting reveals are expected in the coming months, along with the announcement of international partners. Principal photography is planned for March 2026, with a tentative festival premiere eyed for late 2026 or early 2027.
Variety
IFFI WAVES Film Bazaar
Producer Statements
Industry Conference Notes
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