Sean Hayes is commanding the stage alone in David Cale’s new one-person thriller The Unknown, which opened at Studio Seaview this week. Following the success of Cale’s Harry Clarke, the playwright returns with another gripping solo performance that blends psychological suspense with sharp insights into the creative process.
Hayes plays Elliott, a writer struggling with severe writer’s block. Seeking refuge, Elliott accepts an invitation to stay at the country home of a married couple, Larry and Chloe. What begins as a retreat quickly spirals into paranoia, as Elliott believes he is being stalked. Back in New York, he encounters the supposed stalker at Julius’, a legendary gay bar, leading to a night together and a shocking revelation involving the stalker’s twin brother.
The play weaves stalkers, twins, and encounters with strangers into a tense narrative. Yet its most chilling moment comes when Elliott confesses his deep attraction to his straight friend Larry. This seemingly simple admission adds layers of vulnerability and unease, heightening the psychological tension.
Hayes, best known for his engaging stage and screen presence, brings Elliott and more than a dozen other characters to life. Seamlessly shifting between roles, he delivers a performance that is both dynamic and haunting. Under Leigh Silverman’s fast-paced direction, with lighting by Cha See and sound design by Caroline Eng, Hayes’ portrayal is amplified by atmospheric staging.
David Cale proves once again to be a master storyteller. His script blends thriller elements with reflections on the creative mind, exploring how stories are written — or left unwritten. The narrative balances suspense with introspection, offering audiences both chills and thought-provoking commentary.
Critics have compared The Unknown to Cale’s earlier Harry Clarke, suggesting that together they could form a compelling double bill. In an era where audiences favor shorter, impactful performances, Cale’s one-person plays stand out as powerful showcases of storytelling and acting craft. With Hayes’ commanding presence and Cale’s riveting script, The Unknown proves that one actor alone on stage can deliver an unforgettable theatrical experience.
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