Arab-American comedians and filmmakers Ramy Youssef and Mo Amer electrified audiences at the Doha Film Festival with a powerful call to action for bold, authentic Arab storytelling. Speaking during one of the festival’s most highly attended sessions, the duo encouraged creators and regional investors to embrace original narratives rooted in cultural truth rather than attempting to replicate Western formulas.
Moderated by journalist Ayman Mohyeldin, the conversation emphasized that Arab storytellers are entering a rare window of opportunity as global audiences seek more diverse and genuine perspectives.
“The world is not interested in seeing the Arab version of Everybody Loves Raymond,” Youssef said. “They want to see something they’ve never seen before. They want to hear from us.”
A New Era for Arab Creative Expression
The speakers noted that an expanding filmmaking ecosystem — including tax incentives, production hubs, and international partnerships — is positioning the region for major global impact. But they agreed the next step requires risk-taking and meaningful investment.
Amer, whose Netflix series Mo broke new ground with its Palestinian-American lead and Houston setting, said Arab creatives no longer must explain their identity before telling their story.
“We’ve never had this level of clarity around our stories,” he said. “The burden of explaining who we are is fading.”
Both comedians stressed that representation must not overshadow artistic integrity.
“You’re never going to make everybody happy,” Amer said. “What matters is: does it do justice to the story?”
Building Infrastructure for Long-Term Success
The conversation highlighted a critical need for structural support — including producers, directors, financing, mentorship and showrunners. Amer called for decisive funding approaches:
“Identifying great talent and not hesitating to invest — that’s everything. Be the wind in their back, not the wind in their face.”
Youssef encouraged financiers to be creative partners rather than silent backers:
“Your values and your point of view are worth more than your money. Don’t be shy about putting that forward.”
Mentorship, they said, is essential for sustaining growth. Youssef shared that assistants on his projects have risen to writer and creator roles — a model he urged others to follow. Amer credited his own mentor Danny Martinez for charting his long-term path in comedy.
Rewriting History Through Output
The pair also addressed Hollywood’s long-running pattern of portraying Arabs and Muslims through harmful stereotypes — a legacy documented in films like Reel Bad Arabs.
Amer argued that while critique matters, the most powerful response is producing more work.
“We just need more. Film, TV, animation, puppetry — whatever it is. We have to counter 100 years of being misrepresented.”
Their final message to young filmmakers was urgent and direct:
“Eliminate the question of ‘Can I?’ and just do it,” Youssef said. “The guardrails are gone.”
The inaugural Doha Film Festival — backed by the Doha Film Institute — aims to serve as a new global hub for film development, co-production partnerships, and emerging Arab voices, marking a turning point for regional cinema.
