The Brazilian drama “Low Light” (“Lusco-Fusco”) has emerged as one of the most significant winners at Ventana Sur 2025, generating major momentum ahead of its global festival rollout. Directed by Bel Bechara and Sandro Serpa, and produced by Rafaella Costa for Manjericão Filmes, the film captured three awards in the Copia Final competition: the Cine+ OCS Award, the Estúdio Silver Award, and the Send Files Award.
The accolades instantly positioned Low Light among the standout projects of the market, boosting its visibility with distributors and programmers. The filmmakers are now eyeing a premiere at a major international festival in early 2026.
A Powerful Story of Solidarity Against Domestic Abuse
Set around a public school, Low Light explores intersecting stories of three women across generations: Vera, a teacher in an abusive relationship; Alda, an older school cleaner who never learned to read or write; and Joana, Alda’s eight-year-old granddaughter and Vera’s student.
As the women form a fragile but fiercely protective bond, the film portrays how structural violence against women affects lives across time and social class. Rather than focusing on a single dramatic climax, the film highlights collective resistance, empathy and shared resilience.
Conceived at the height of the COVID-19 pandemic—when cases of domestic violence surged across Brazil—the film rejects the trope of individual heroic salvation and instead centers community struggle.
The directors chose not to depict graphic violence. Instead, scenes shift away from the assault, focusing on the emotional and psychological impact on survivors. The visual style mirrors the title’s notion of twilight—a transition between darkness and light that symbolizes the characters’ emotional journeys.
A Vision of Hope, Not Despair
Award-winning actress Sandra Corveloni plays Alda, while Amandyra portrays Vera with raw vulnerability. Their performances anchor a story that refuses to sensationalize trauma but instead emphasizes dignity, agency and mutual support.
Producer Rafaella Costa described the film’s mission:
“We believe fighting violence is collective. The film points toward hope through sisterhood and political organization.”
A Film Positioned for International Impact
Backed by financing from Brazil’s Paulo Gustavo Law, Low Light was previously showcased in development programs including Brasil Cinemundi, and Cinéma en Construction, building anticipation ahead of Ventana Sur.
After its triple win, the film is now poised to secure global sales partnerships and a high-profile premiere. Manjericão Filmes has a strong track record—recent successes include “Power Alley,” winner of the Fipresci prize at Cannes Critics’ Week, and the Berlin Crystal Bear winner “My Name Is Baghdad.”
With its urgent themes and nuanced craft, Low Light is expected to resonate internationally both on the festival circuit and with broader theatrical audiences.
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