Mel Gibson’s long-awaited sequel The Resurrection of the Christ has ignited new controversy as the casting of Polish-Italian actress Kasia Smutniak as the Virgin Mary draws criticism in her native Poland.
The backlash stems from Smutniak’s public support for abortion rights, sparking protests among conservative and religious groups.
The film, directed by Gibson and co-written with Braveheart collaborator Randall Wallace, follows his 2004 global hit The Passion of the Christ, which chronicled the final hours of Jesus Christ.
Production began earlier this year, with Jaakko Ohtonen cast as Jesus of Nazareth and Mariela Garriga portraying Mary Magdalene.
The project marks one of Gibson’s most ambitious cinematic undertakings, planned as a two-part epic set for release in 2027.
Main Details
Reports from Variety indicate that members of Poland’s conservative Law and Justice (PiS) party and affiliated church organizations have lodged formal complaints with Gibson’s Icon Productions, demanding Smutniak’s removal.
Their objections center on Smutniak’s affiliation with Strajk Kobiet (Women’s Strike) — a social movement that has led mass demonstrations against Poland’s restrictive abortion laws since 2020.
The 45-year-old actress, known for performances in Perfect Strangers and Domina, has publicly voiced her support for women’s autonomy and reproductive rights, posting messages of solidarity on social media.
While Gibson has not issued a statement, Smutniak’s publicist told Variety he was unaware of any formal protest letters being received. People magazine confirmed that Smutniak’s agency declined further comment.
Despite the political noise, production continues on schedule, with principal filming taking place in Italy and Israel.
Reactions and Industry Commentary
Cultural critics note that the dispute highlights ongoing global tensions between faith-based storytelling and contemporary social issues.
Film historian Marta Wojciechowska commented on Polish radio that “casting a progressive figure in such a sacred role is symbolically powerful but politically volatile.”
Meanwhile, Hollywood insiders suggest Gibson — an outspoken conservative — is unlikely to recast the role. The director has long courted both controversy and acclaim, particularly with The Passion of the Christ, which grossed more than $600 million worldwide despite initial criticism over its violent content and perceived antisemitic undertones.
Industry observers believe that the current debate could, paradoxically, amplify audience interest. “For Gibson, controversy often translates into attention,” said U.S. entertainment analyst Trevor Mays. “His films rarely pass unnoticed, and this situation may even boost anticipation ahead of release.”
Impact Analysis
Experts predict the backlash may influence the film’s marketing and distribution in majority-Catholic regions, particularly Poland and Italy.
However, given The Passion of the Christ’s enormous success and enduring fan base, analysts expect The Resurrection of the Christ to perform strongly upon release.
The film’s production budget reportedly exceeds $100 million, reflecting Gibson’s intent to deliver an epic retelling of the biblical resurrection story with renewed cinematic scale and modern visual effects.
The casting also underscores Hollywood’s evolving landscape, where social activism and personal beliefs increasingly intersect with creative decisions. Critics argue that Smutniak’s activism should not affect her professional opportunities, while others contend that religious narratives demand casting aligned with traditional values.
What’s Next
Lionsgate has confirmed that Part One of The Resurrection of the Christ will release on March 26, 2027, with Part Two following May 6, 2027 — exactly forty days later, symbolizing the biblical Ascension.
Following the project, Gibson plans to star in Hunting Season and The Canyon, while continuing his directorial work after Flight Risk (2025).
No additional casting announcements have been made, though post-production work is expected to extend into mid-2026.
